Once i was a kid, cartoons were just that, cartoons. They were semi-mindless drivel that served the purpose keeping kids under control for the few hours between school and dinner. Then came along a couple of enterprising geniuses who changed everything. Matt Groening and Mike Judge are two of the best examples, progenitors of the “adult cartoon”. Now, the idea wasn’t new at the time. The Flintstones and Jetsons were primetime choices in their day, but face this, they’re kids fare. It was guys like Groening and Judge that recognized the flexibility of the medium as well as the endless potential (reliant only on voice actor longevity and good writing) of a cartoon sitcom.
These days, the cartoon world is an completely different place. The kids cartoons from your youth are bigger, badder, and cruder than they ever had been. And the market for adult oriented animation has exploded. Not only will be the Simpsons still around, but now we have Family Guy, South Park, Futurama, and the whole Adult Swim phenomenon.
What is it then that creates this rabid demand by increasingly old generations for animated comedy. Simply, nostalgia plays a huge role. We were young in the 80s or 90s, every single American youth had a keen eyes on the Saturday morning and after school cartoon farms. Here’s more regarding https://anime-subth.net review our own internet site.
It was part of lifetime, and not something most enjoyed leaving when they grew up. But , the jokes are sophomoric, the plotlines absurd, and for the most part cheesy. The cartoons of childhood (and thanks DVD release for allowing us to relive and cringe via them) were a bit too goofy for your adult mentality. No wonder our mother and father were nowhere to be seen. But , the cathartic joy of hand attracted television still lingers and so the potential customer of the more adult, more mature cartoon flourishes.
Of course , let us not forget the particular influx of yet another cultural drive in the last 10 years or so, that of japan cartoon. Japanese animation – anime – never dedicated itself towards the notion of children’s animation as much as their American counterparts. For the most part, they’ve been utilizing the medium for years with adult oriented, often times very much so , animation that just now is locating its way into the American awareness. Films like Akira and the works of Hayao Miyazaki inched into the American marketplace in the 90s then exploded in the new century, almost taking over most US channels, such as the previously brand loyal WB plus Cartoon Networks. The idea that a compelling, serialized story could be told with animation was purely Japanese as well as the results are often times amazing.
Even now the American counterpart is mostly satire plus poop jokes. But , then again, these people sure are some poop jokes.